What we're listening to: Wings 'Over America'

1976 and a triple live Album no less. 

It was remastered in 2013 so that's the one to get.

Recorded during the Wings 'Over the World' tour and as someone in here said, she preferred The Beatles when they became, Wings.....

Of course, Paul McCartney at the core here and so too, the Album contains Beatle songs - 'Yesterday', 'Long and Winding Road', 'Blackbird' and others. 

But it also focuses on Wings "hits" like 'Listen to what the man said', 'Hi Hi Hi' (banned at one stage because it was really 'High High High'), 'Beware my love' and the really very excellent, 'Silly Love songs'. 

'Maybe I'm amazed' was released as the single from this record.

Linda McCartney features of course and the great Denny Laine ('The Moody Blues', who left the band after McCartney's refusal to tour following Lennon's death). 

It's a great record really.

Captures the live mood perfectly and captures the era in what was, Paul McCartney's real solo venture after The Beatles. You'll also find their 'Band on the run' Album in this blog by searching top left.

One to have. No doubt about it.

Previous "listen tos" you'll also find on this blog (you can search them in the Search top left on the Blog)......Sheryl Crow 'Tuesday Night Music Club': Dwight Yoakam 'Gone': Deep Purple 'In Rock': Police 'Reggatta de Blanc': Dylan 'Freewheelin': Stevie Winwood 'Arc of a Diver': Jamiroquai 'travelling without Moving': Eels 'Meet The Eels': Curtis Mayfield 'Superfly': Bowie 'Ziggy Stardust': Fatboy Slim/Norman Cook: REM 'Automatic for the People' :Coldplay 'Parachutes': Springsteen 'Hammersmith 75': Barry White 'Can't get enough': The Band 'Before the Flood': Dimitri from Paris 'Le Chic': Santana 'Abraxas': Suzanne Vega 'Debut': Michael Jackson 'Bad': John Hiatt 'Bring the Family/Budokan': JJ Cale 'Naturally': Ray Lamontagne 'Trouble': The Bluetones 'Expecting to Fly': Norah Jones 'Come Away with me': Macy Gray 'On how life is': John Cougar 'American Fool': Earth Wind & Fire 'Greatest': Boz Scaggs 'Silk Degrees': Durand Jones + The Indications: Elton John 'Captain Fantastic': Nirvana 'Nevermind': James Brown 'At The Apollo' 1962: Grateful Dead 'American Beauty': Frampton 'Comes Alive': Snow Patrol 'Final Straw': The Jayhawks 'Hollywood Town Hall': Alanis Morissette 'Jagged Little Pill': Chris Stapleton 'Traveller': Shelby Lynne 'I Am': Lauryn Hill 'Miseducation': Alicia Keys 'Songs in A Minor': Beatles 'Revolver': The Allergies 'Push On' (Our Album of 2017): Sinatra 'Jolly Christmas': Stranglers 'Rattus Norvegicus': Happy Mondays 'Pills Thrills and Bellyaches': The Verve 'Urban Hymns': Jim Croce 'You don't mess around with Jim': America 'America': Hall & Oates 'The Singles': George Michael 'Older': Rolling Stones 'Sticky Fingers': Miles Davis 'Kind of Blue': Mink Willy De Ville 'Backstreets of Desire': Ten Years After 'Undead': The Beat 'Just can't stop it': George Thorogood/The Destoyers '2120 Michigan Avenue': Tom Waits 'Franks Wild Years'; Glen Campbell 'Rhinestone Cowboy': Rory Gallagher 'Live in Europe': Michael Jackson 'Thriller': Daft Punk 'Discovery': DJ Dimitri 'Disco Forever': John Martyn 'Grace & Danger': Peter Gabriel 'So': Crowded House 'Woodface': Springsteen 'Born to Run': ACDC 'Back in Black': Grace Jones 'Nighclubbing': Stevie Wonder 'Songs in the key of life': The Cars 'The Cars': Billy Joel '52nd Street': Beatles 'Sgt Pepper': Tom Petty 'Damn the Torpedoes': World Party 'Bang': Eric Clapton 'Slowhand': John Mayer 'Room for Squares': Ry Cooder 'Bop til you drop': Jon&Vangelis 'Friends of Mr. Cairo': Mary Chapin 'Come on, Come on': Frank Zappa 'Joe's Garage': Joni Mitchell 'Blue': Steve Gibbons 'Caught in the Act': Elton John 'Tumbleweed Connection': Elton John 'Honky Chateau': Gallagher & Lyle 'Breakaway': Warren Zevon 'Excitable Boy': Donald Fagen 'The Nightfly': Supertramp 'Breakfast in America': George Michael 'Listen without Predujice': Radiohead 'The Bends': Beyonce 'Lemonade' Album of the year 2016: Oddisee 'The mix Tape': Soul 11 Soul 'Club Classics': Jennifer Warnes 'Famous Blue Raincoat':Art Garfunkel 'Watermark': REM 'Out of Time': Van 'Keep me Singing': Frank Sinatra 'Songs for Swinging Lovers': Al Stewart 'Year of the Cat': Stevie Ray Vaughan 'Texas Flood':Frank Ocean 'Blond': Jimmy Buffett 'Son of a Sailor': Marc Cohn 'Marc Cohn': Bill Withers 'Complete Sussex and Columbia': Hendrix 'Electric Ladyland': ABC 'Lexicon of Love': Rickie Lee Jones 'Rickie Lee Jones': Billy Joel "Glass Houses": Rodriguez "Cold Fact": Prefab Sprout 'Steve McQueen'; Chet Baker 'Live 64-79'; The Stone Roses 'Stone Roses'; Joe Jackson 'I'm the Man'; Oasis 'Morning Glory'; Bob Dylan 'At The Budokan'; Van "It's too late to stop now Volume 2/3/4"; Air 'Moon Safari'; Talking Heads 'Stop Making Sense'; Lynyrd Skynyrd 'One for the road'; Marvin Gaye 'Whats Goin on'; Mercury Rev 'Deserters Songs'; Dave Matthews 'Crash'; Beyonce 'Lemonade'; Prince 'Sign O the times'; Daft Punk 'Random Access Memories'; Amy Winehouse 'Back to Black'; Police 'Outlandos D'Amour'; Michael Jackson 'Off the Wall'; Carole King 'Tapestry'; Beatles 'Red Album'; Sex Pistols 'Never mind the Bollocks'; Sam Cooke 'Live at Harlem Square'; The Doors 'LA Woman'; Thin Lizzy 'Live & Dangerous'; Kendrick Lamarr 'Butterfly'; Aretha Franklin 'Amazing Grace'; Clapton '461'; Massive Attack 'Blue Lines'; The Clash 'London Calling'; Chris Isaak 'At The Filmore'; Bob Dylan 'Street Legal'; Bad Company 'Straight Shooter'; Jackson Browne 'Love is Strange'; Lou Reed 'Transformer'; Steely Dan 'AJA'; Stones 'Black+Blue'; Stephen Bishop 'Careless'; Nils Lofgren 'Night after Night'; Mike Oldfield 'Tubular Bells'; Neil Young 'Harvest'; Led Zep '4'; David Bowie 'David Live'; Van Morrison 'It's too late to stop now'; Wings 'Band on the Run'; Rod Stewart 'Atlantic Crossing'; Ryan Adams 'Heartbreaker'; Santana 'Essential'; Bob Dylan 'Desire'; Roxy Music 'For your pleasure'; Bob Marley 'Legend'; Stephen Fretwell 'Magpie'; James Taylor 'Sweet Baby James'; Deep Purple 'Machine Head'; Springsteen 'Darkness on the edge of town'; Leon Bridges 'Coming Home'; Eagles 'Hotel California'; Jungle; Aretha 'Soul Queen'; Neil Young 'After the Goldrush' ; Zappa 'Overnite Sensation'; Fleetwood Mac 'Rumours'; Keith Jarrett 'Koln Concert'; Doobies 'Southbound'; Stevie Earle 'I feel Alright'; Tom Waits 'Closing Time'; Pink Floyd 'Dark Side'; Van Morrison 'Moondance'; Eric Church 'Caught in the Act'; Randy Newman 'Little Criminals'; Elton John 'Madman across the water'; Patti Smith 'Horses'; Doobies 'Captain and Me'; Steely Dan 'Can't Buy a Thrill.

HMV. Shares at 2p from £2.72. Debt of 220 million. Valued at £10 million from £1 billion. A brand that ignored digital is in a death spiral.

It was July 1921 when Edward Elgar (the 'Land of Hope and Glory' man) opened the first HMV ("His Master's Voice" which featured the famous logo and 'Nipper' the dog as above) store in Oxford Street, London, pictured below.

Elgar was the first composer to understand the "gramophone", as being a technology of the future.

The men behind the store, Williams and Owen, had founded 'The Gramophone Company' in 1897 to help spread the new technology (what was a recording device), and opening a shop to sell it, seemed to make sense. Ten years later they merged it with Columbia to create, Electric and Musical industries. EMI. Still one of the world's leading record labels and famous for signing The Beatles in the 60's.

Pioneers.

But today, it is the very threat of technology, that has brought about the demise of HMV. Internet digital sales, such as Itunes, has eroded sales on the high street and HMV stood by, like so many companies of old and watched it all happen. Who was in a better place to adopt online music when it began, than HMV? It was the music brand. Indeed, it was the DVD brand.

In 1984, Dublin's own, Bob Geldof, opened the flagship store on Oxford Street as the biggest music store in the world and it still is. I was in it many, many times. In 1998, HMV was spun off from EMI and sold to Advent International, a private equity house. In 2002, it floated on The London Stock Exchange at a 1 billion sterling valuation. Last Friday it was worth less than 10 million.

It now faces a breach of its banking covenants in January and therefore, "material uncertainty" of 220 million stg debt with 8 Banks. When you start to breach banking covenants, it's the start of a quick but slippy slope. I know. I've done it and it's the first big flag of impending doom.

Why is it happening?

Alan Giles CEO since 1999 said in 2004 he wouldn't "bet the company" on making the investment needed for digital because, "if we had bet the company then we would have lost it". Irony. They didn't make the investment and now they have lost it.

In fact, since he said it, the sales of "singles" has risen from 40m a year to 180m a year (!) almost entirely due to digital downloads. So talk about an opportunity lost.....

The Web now accounts for 60%+ of sales, HMV has about a 20% market share of UK sales and 5,000 staff losing about 36 million stg every 6 months and 176 million in net debt. The share price has gone to 2p, from £2.72.

Christmas accounts for 60% of all annual sales so these days right now, are critical to the future of HMV. However, it's unlikely they're going to make it.

Their online offering http://hmv.com/hmvweb/home.do is frankly, naff. Real "retailer built", rather than Social Media savvy. And they no longer have the money to make the investment they need to. 

And HMV is now irrelevant in a changing market landscape. Even today, it just isn't at the digital races. It's simply become extinct.

It is the story of a big brand that didn't get digital. Like their sister company, Waterstones, who let Amazon own books - or Blockbuster/Xtravision who let Netflix own video - or TV broadcasters who let The Huff Post own the news -  or Microsoft who let Apple own computing - they are the  story of the ongoing saga of dinosaurs in a world that's changed. There's no excuse either because even allowing them to miss the boat at the start, they've done little to catch up. It's appalling actually because that lack of thinking, might now cost 5,000 jobs.

Instead of walking away with some payments no doubt, the management team should be taken out and flogged. Publicly.

But herein lies a lesson for the other companies out there who have their heads in the sands. There still is lots of them and they will be replaced by this new order.

The Web is here, are you?

(I'm grateful for some of this content to Graham Ruddick's article at the beloved, The Sunday Telegraph)