Friday 10 April 2020

Agencies have a chance. But it’s here and now.





I’ve been here before.

I know what happens.

In the crash of 2008, we saw Advertising Agency income drop a ‘mere’ -40% because, put simply, Advertising is the first thing clients switch off when they struggle. It’s easy. They stop Ad expenditure today, without the need for even a Board meeting and when they’re looking through their P&L, they see big Advertising savings sticking out like a sore thumb.

Today, it looks like it might be heading to a shocking figurative zero.

You can of course, continually tell them that they’re wrong – brands who advertise in a recession stay stronger blah blah blah – but it’s like standing on Dollymount strand trying to push out the waves. They’ll cut Advertising first, and frankly, if I was them, so would I.

When it’s a choice between letting people go or, stopping Advertising, which would you do?

The 2008 crash looks halcyon, because today, it’s looking like Advertising is going nowhere now and, when businesses get back, Advertising will not be top of their list either. 

They’ll be more concerned about getting their machines fired up, people back to work, sales calls, getting drivers on the road, putting product in the hands of customers to generate income, to perhaps, advertise then only when they’re paid. So there’s going to be a time lag.

Added to that, as we sit here in April, it’s looking like a summer time lag, at best. The 2008 crash took nearly 2 years to right itself.

Which summer coincides, as the horrible Ad gods would have it, in the annual June/July/August ad shutdown anyway. Most Agencies traditionally do more business in an October than June/July and August combined and that’s been the way for a thousand years. The perfect storm.

Like all businesses, Agencies have fixed monthly overheads (probably 30/40% of income). Rent the obvious one (I know Agencies faced with 100k+ a month rent) but there’s also staff vhi, mobile phone bills, likely 5% pension contributions, insurance, company cars  and so on. Then there’s the salaries representing 60/70%.

Deferring the fixed overhead now, is possible, to avoid the constant dip into current cash reserves but in effect, you’re just moving debt into other months. It’ll still have to be paid, have to be financed from cashflow later. That day cometh.

Staff salaries can be cut (if they agree), redundancy is a substantial cash cost now, so you’ll avoid that, and anyway you’ll need those staff resources too in order to provide a service later. Agencies are a measure of their staff after all. Your assets go home in the lift every night.

In the short term, the likely course is you’ll finance as much of it as you can from reserves and defer what you can. See what happens. Too big to fail. So were we, Ireland’s biggest Agency at the time.

A ‘holding pattern’ in the hope of better days ahead but with no clients today in the mood or even available for business conversations (they too have other things on their minds), you’re living in hope. Fingers and toes crossed.

You cheer yourself up with ‘what if’ healthy looking projections that do not materialise. Possibly government assistance will help?  (They will until they run out of cash too and bonds will eventually start to wobble). Or bank loans for liquidity? (They won’t because like you, they don’t know where you’ll be in three months). You think, but it’s all short-term. Then you open the wine.

We did all of that and in time, it’s worthless.

Because as no bright horizon appears, the debt burden increases and either you pull the plug or someone else does and, it comes quickly. We were trading on a Monday, gone on a Thursday morning. Four days. We should have acted faster and not lived in hope, and kept our reserves.

There is a way out. The change that needs to be taken now, is structural.

I have been beating this drum for 10 years – all business is an online business. That includes Agencies and if ever you needed the proof, look around you today.

The solution for Agencies is to provide their services online, as much as they can, without the need for high staff (and the associated other overhead such as cars, pensions, mobile phones, vhi), no high rent and frankly, better 247 365 delivery. Automate whatever you can and it makes Clients stick.

Client self-op platforms for Planning, Media buying (Traditional and Digital) in real time, Automated Invoicing, Online support/advice via Skype (to home workers in some cases), sophisticated Client dashboards and even creative uploads of Advertising material. Media Agencies can do what they do best in person, Media Planning and then automate all Media buying but with the same margins.

Admatic has that turnkey solution for Agencies.

You start now and you/we build on it. We do it with you because we know the Agency business. Backwards. We’re here to help.

The game has changed, the time is up, move fast and move now.

Been there, done that and have the T-Shirt.

It cost me 33 million.

That’s the T-Shirt that you don’t want.



Stu Fogarty is a former President and Fellow of The Advertising Institute (IAPI); Board Member and Fellow of The Marketing Institute; Chairman of The Advertising Press Club; Board member of The Publicity Club; former Ad Agency CEO and Owner of Ireland’s largest Ad Agency AFAO’Meara/McConnell’s; Founder of Club Internet (floated Nasdaq March 2000 as Via Net Works); founder of ICAN; Founding Director Realex payments.
He currently runs Admatic Ireland and Streamabout The Video Agency.

He’s happy to chat at Stuart@admatically.com. 085 7100458.

Thursday 9 April 2020

More YouTube classics for the weekend? Try Sherlock Holmes with Basil Rathbone.



Say what you like, but there was never ever a better Sherlock Holmes duo, than Basil Rathbone and Nigel Bruce. They are stunning together and between 1939 and 1946 they made 14 Sherlock Holmes films. I've seen them all, many times.

But again they're all on YouTube for free (and I've added some below) just if you're looking to see classic movies this weekend.

The first one was 'The Hound of The Baskervilles' but the second was 'The Adventures of Sherlock Holmes' which really defines it all and that's the one on top. A quick look will give you a sense if they're for you. 

The duo came together as radio shows originally and it was Rathbone who ended the partnership when he simply thought, they had just become too predictable, too formulaic. 

Nigel Bruce you might know from Hitchcock's 'Rebecca' (a fab film) and 'Suspicion'. He died in 1953. 

Rathbone was more of a Shakespearean actor (and South African in fact, but fled to Britain after he father was accused of being a spy in The Boer War) and known as 'Ratters'. 

He served in The First World War where he was the British Army fencing champ and so his acting career became more of a 'swashbuckler' (Robin Hood, The Mark of Zorro, for example). Very brave, he won The Military Cross. 

Hi died suddenly in New York of a heart attack at 75, in 1967.

They're great films, have a look and they're free! You won't see a better Sherlock Holmes... 














YouTube full of free movies like this one, 'Dear Murderer'.


We keep saying it but don't forget it...YouTube is awash with free movies and especially if you like classics. Always worth a search.

This one is free, 'Dear Murderer' and it's great. A 1947 British film noir that has such a love triangle, someone has to die. And they do.

The title seems odd but when you see it, you'll find a letter is part of the story. 

Jack Warner is the terribly British Policeman ('Dixon of Dock Green' if you remember that) but we have to say, the Brits made some great movies with fine acting. Dennis Price (you might know him as Jeeves?) is in it too with whom we made a TV Commercial many years ago, for 'Cookstown Sausages'. There ya go.

Either way, it's great and it's free and it might get you thinking YouTube when you're bored with Netflix. Other YouTube tips on this blog recently - like 'Witness for the Prosecution' - check it out. 

It's worthy for a change. 



Simple copy and paste of this report today from 'AdExchanger'. Viewing habits changing....


Coronavirus shelter-in-place orders have been in place for less than a month nationally, but consumer media habits are already massively changing.

Streaming is the clear winner of social distancing. From March 9 to March 16, total streaming time grew to 156.1 billion minutes per day in the United States, compared to 127.6 billion minutes during the last week of February, per Nielsen. 

In March, streaming accounted for 23% of consumer TV viewing time, up from 21% in February and 14% a year ago.

Meanwhile, live TV viewing grew between 1% and 3% during the last week of March across all demos, while streaming increased by up to 8% during the same time period. NBCU saw an 80% spike in viewership across its digital assets in March compared to a 20% increase in linear TV viewing.

Homebound people are streaming more TV during the daytime. Streaming between 10 am to 5 pm grew 39% during the week of March 17 to 23, compared to the previous week, Conviva found. Meanwhile, prime-time viewing declined by as much as 5% between 8 pm and 11 pm.

“Prime time is starting nine hours earlier than normal,” said Conviva CEO Bill Demas. “Even if people are working from home and kids are distance-learning, streaming accelerates at 10 am and goes throughout the day.”

In APAC, where people are slowly getting back to work, streaming hours decreased 10% between March 17 and 23, according to Conviva. That dip offers a preview of what may happen in other regions as lockdown restrictions ease.

“Streaming will go down as people go back to work,” Demas said. “But the rollback into work will take months. How many habits are formed in that time because people got used to streaming?”

Ad dollars, however, are likely to lag until the economy gets back on track and the industry creates a common currency and measurement standard for streaming that brands can trust.

What are people watching?

Netflix is the SVOD player gaining the most traction, with people spending 29% of their total streaming minutes with the platform during the week of March 16, per Nielsen. Nine of the top 10 streamed shows during the second week of March are on Netflix.

Netflix is followed by YouTube, where people are spending 20% of their streaming minutes, followed by Hulu at 10% and Amazon at 9%.

But 31% of streaming minutes are spent on other platforms, meaning that ad-supported viewing could be seeing a boon as the economy crumbles.

Well-funded, top-tier players such as Netflix and Amazon appear to be best-positioned to weather the storm, as are smartly packaged bundles such as the $13-per-month Disney Plus, Hulu and ESPN combo.

What about linear?

Without live sports, linear TV is hanging on by the thread of local news and increased daytime viewing during the pandemic.

Viewing of live local news grew 7% across demos from early February to the week of March 9, with adults over 25 spending 30.4% of their TV consumption time watching local news during the same period, according to Nielsen. 

Ratings increased 3.5% to 12.5% across local markets as more people tune into the news to find out what’s happening where they live.

Daytime cable news viewing skyrocketed 347% year over year during the last week of March, growing 50% more than total TV viewing time during the same period, according to Samba TV.

But people are also turning to social media for local news. During March, local news engagement climbed 196% on Twitter, 62% on YouTube, 34% on Instagram and 15% on Facebook, according to Conviva.

“Local news is so important because every area is [responding] differently,” Demas said. “But when the pandemic ends, is local news less vital or urgent?”

Linear TV will also be hit by a lack of live sports. Roku found viewers who watched live NHL and NBA games in February increased their streaming time between 58% and 63% in the first three weeks of March, while their linear TV viewing was flat.

If the NFL season can’t start on time this year, linear TV might be in even more trouble.
“The main driver of linear TV is NFL football,” Demas said. “Where is NFL football come August and September?”


Wednesday 8 April 2020

Goodbye John Prine.


We had the pleasure of drinking with John Prine in Smyths of Haddington Road, Dublin. He was a friend of Dermot Moynihan who ran a recording studio and they were sitting at the bar, quietly.

Nobody knew who he was, but I did, because being a folk/country singer wasn't in the spotlight. But more than that, he was an unassuming, polite man anyway. 

A Chicago mail-man originally, he never lost his wit in looking at the world. 

For us, it will always be 'Speed of the Sound of loneliness' (above) covered by Nanci Griffith amongst others. You only have to see what Dylan, Springsteen are saying today of his greatness, on his death from this virus.

And I can tell you he was great that night in Smyths with a gentle laugh. An ordinary man just having a beer with friends. God bless John Prine. 

Tuesday 7 April 2020

Anything good on Netflix you say? Power is better than good.


American crime dramas have rarely been as good as this and there's 6 seasons of it.

James St Patrick a street wise drug dealer, wants to restart life as a nightclub owner. But his life keeps catching up with him and so does his best friend, Tommy Egan (the excellent Joseph Sikora whom you'll see in the new series of Ozark).

This is down and dirty. Almost film noir, it is dark and gritty but it's so great. 

If crime is your thing, stick it on and be hooked. You won't think about the virus, you'll be looking behind the couch.....